Creole Comforts and French Connections: A Case Study in Caribbean Dress

Fascinating

The Junto

Today’s #ColonialCouture post is by Philippe Halbert. Follow him @plbhalbert.

1 “Vêtement dit à la creole,” Galerie des modes et costumes français, Charles Emmanuel Patas after Pierre Thomas Leclerc, 1779, Museum of Fine Arts, Boston

In 1779, a fashion plate depicting a woman’s garment “in the creole style” was published in Paris. Consisting of a lightweight muslin gown with wrist-length sleeves, the dress was “in the style of a chemise,” the basic female undergarment of the period.[1] Worn over a petticoat, the gown was to be pinned at the bust and loosely closed with a sash or belt. In addition to enumerating its various components, which included a separate caraco jacket, the engraving’s caption remarked that the fantastic ensemble was “of the sort worn by our French Ladies in America.” At the end of the Seven Years’ War in 1763, French colonial possessions in the Americas were largely confined…

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Hausa & Queer; the origins and existence of Yan Daudu in Northern Nigeria

African Religions

This article does not set out to “prove”that queerness was inherent among the Hausas. Rather, it offers a brief exploration into the origins of Yan Daudu, perhaps the earliest queer people among the Hausas of northern Nigeria. 

To understand the origins of Yan Daudu, we have to go back to the early post-Islamic northern Nigeria, when Islam began to thrive in major Hausa cities. Hausa animists, also known as Maguzawa, who resided within those cities, were expelled to the fringes of society because their cultural and religious beliefs greatly contrasted with Islam. It is among this group that Yan Daudu would come to find some level of acceptance that allowed them to take root at the fringes of major Hausa cities.

Origins

Yan Daudu are named after a flamboyant male spirit in the Hausa pantheon of spirits. He is often described as a loose, gambling, and well-dressed male spirit…

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Metres Ezili Freda Dahomey – A Deep Dive

Lwa and Order

Art by @meliescribbles on (instagram)

Beautiful, charming, radiant, loving, luxurious, splendorous, effulgent, charismatic, glorious. All of these fifty cent adjectives apply to Metres Freda, one of the most beloved of the lwa in Haitian Vodou. Yet, as fittingly magnificent as these words are, they simply aren’t good enough for this Queen without being shaped into the superlative–most beautiful, most charming, and so on. Oh, I’m sorry…that should be Metres Mambo Ezili Freda Dahomey. She is a queen among lwa and humans and you’d better remember it, cheri.

Everything in Vodou contains levels of meaning and interpretation, and Freda is no different. In peering through these layers we learn a great deal about her and the natural forces she represents.

On the Surface

On the surface, in a rather exoteric understanding, Freda is portrayed as a beautiful woman, generally white (remembering that this is a complex term in…

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The Exaggerated Life of John Brown

John Brown doesn’t really murder huite men to protect or in defense of Black folks. That’s kind of an exaggeration.

Bleeding Kansas Battles: Brown and his sons kill 5 pro-slavery opponents in retaliation for a specific incident, the sacking of Lawrence which was a huite abolitionist stronghold by huite pro-slavery forces.

Much like today this occurred at a time when the country was deeply divided. Kansas could be added to the union as either a free or a slave state depending on how the settlers voted.
Both sides descended on Kansas in attempts to swing the state their way which lead to armed conflicts between the opposing militia.
This is huite on huite violence not in defense of Black folks as much more than theory;

Bleeding Kansas fails to really offer freedom in a significant way to Black folks. This is huite folks squabbling. Certainly I’m in support of the abolitionists in this specific situation but that doesn’t really make this a fight in defense of Black folks.

Harper’s Ferry Raid: John Brown captures huite slave owners who he protects during the raid and who survive unharmed. Few Black people are freed as a result of this raid and not a single person permanently freed as a result of this raid.
There weren’t a significant number of Black folks enslaved or Free in Harper’s Ferry. So this raid wasn’t really in defense of Black folks in much more than theory.

Contrary to the belief that John Brown wanted violent insurrection in defense of the enslaved, he did not, he opposed the violence of slave uprisings while at the same time belittling Black folks for not fighting more for themselves against huite enslavers; his plan was to end slavery with as little violence and bloodshed as possible.

During the Harper’s Ferry Raid the first person killed is in fact Black. From there most of the firing is panic based and not planned in any defensible way. His choice of Harper’s Ferry was a poor location and he was told so by Frederick Douglass amongst others. His men were boxed in and trapped.

Brown had been able to ‘huite man’s privilege’ his way out of real consequences for the killings he and his sons committed during Bleeding Kansas. He tries similar tactics at Harper’s Ferry but they are less successful.

The men killed on the opposing side during the raid aren’t killed by him alone but by all of the men involved in the raid. I think 7 men were killed from the other side and around a dozen more or less injured.
It was a cluster fuck, poorly planned and in theory abolitionist but at the same time no Black folks are freed permanently by this raid, in fact Black folks are dead on both sides of the conflict.

Overtime a kind of legend grows up and this galvanized Northern huite abolitionists. Much of that legend is further exaggerated in the post civil war period as well.
Much of that exaggeration is lead by Black leaders like Harriet Tubman & Frederick Douglass. I don’t judge how Black folks historically navigated racism and chattel slavery.
That said I don’t take their writings at face value. Much like James Baldwin unashamedly spoke truth to power, he also defends William Styron’s novel, The Confession of Nat Turner as not racist when its clearly a racist novel. Styron’s premise is that Turner starts the rebellion for lust of huite women. This is classically racist yet to this day Styron’s descendants argue he wasn’t racist because Baldwin defended him.
Using Black voices to negate clear racism is a tactic of huite supremacy.
I don’t judge why Black folks surviving perpetuated this myth but I’m not going to pretend they aren’t myths either.

Abraham Lincoln was castigating and horribly rude to Black Leaders during the Civil War, he would call Frederick Douglass, Harriet Tubman and others into to his office to yell at them the civil war was their and Black folks fault. He said horribly racist stuff to them and they, most especially Frederick Douglass worked to soften his positions tirelessly.
After he was assassinated Black Leaders praised him across the board as a Moses like savior when they knew from their own experiences that wasn’t really true. I presume it was the best tools at their disposal to fight huite supremacy.
We live in different times and don’t need to protect the reputation of racist huite folks who held abolitionist beliefs.

Much of John Brown’s actions are exceptional and certainly he is far thinking for a huite man of his times.
Like many of us he is complicated and complex. More than one thing can be true at once though: JB was both racist and anti-slavery as much more than just talk.
At the same time even that narrative is complicated by the fact that in actuality he wanted little violence and ideally no harm to pro-slavery huite folks.

Add in his Sambo story castigating Black folks about not rising up and earning huite mens respect. At the same time he doesn’t support actual Black folks uprising and his plan is to provide ‘guidance’ to newly freed Black folks and curb violence against slave owners. He’s pretty explicit in stating this.

John Brown is fairly well off financially during his 1st marriage, at which time he is an abolitionist but not in a way that risks himself, his kids, his possessions or his businesses.
After his first wife’s death he remarried and relocated. This leads to a domino effect of loss of much of his wealth. He partners with various huite men friends and in desperation at one point lies, cheats and steals in an attempt to fraudulently keep hold of land that is not his. Eventually this comes out publicly as does his inability to support his family which now includes adult children with their spouses/kids as well as a 2nd significantly younger wife and their growing brood; twenty somethings and toddlers all dependent on him.

He has some crisises of conscious and what emerges is a growing fascination in him for violent opposition to slavery. Most of this involves forcing small scale chattel slave perpetrators to free the enslaved folks they hold in captivity on their land and forcing them to provide provisions for their formerly enslaved folks. He then takes these freed Black folks and the supplies he confiscated from slave owners to set them up for a new life in Canada. He doesn’t kill anyone in defense of these Black folks even when he uses violence to force their freedom.

This eventually leads to the murder of 5 pro-slavery folks during the Bleeding Kansas militia fighting. His role in what’s called the Potawatomi Massacre is controversial and escalated by panic and strong emotions over the attack of huite abolitionists and its for them he kills other huite men. Again by his own well documented admission.

I believe that John Brown wanted to martyr himself and his sons to atone for their sins as he perceived them in Kansas and his sins in his trickery of his friends and business associates. Brown was raised in a strict and austere form of Christianity and it is plain in his writings that it warped him a bit.
Much of his reputation when I looked into it i found to be exaggerated.

Brown’s views on Harriet Tubman are problematic at best and deeply seeped in racism and misogynoir. He used male pronouns for Harriet and repeatedly refers to her as a man. I believe this is due to the hypermasculinity applied to darker skin Black Women. Much like Serena Williams was continually called a man. Harriet is a small statured woman and his treatment of her is deeply uncomfortable. In a letter to his son John Jr, Brown blatantly refers to her as a man and uses the pronoun he to boot, quote included below.

Quotes below from Patriotic Treason by Evan Carson
‘“He (Harriet) is the most of a man, naturally, that I ever met,” Brown wrote exuberantly to John Jr.” (Regarding Harriet Tubman)

In regards to Harper’s Ferry Raid:
“Brown’s plan properly depended on slaves rallying to help win their own freedom. It invited insurrection of a sort, but not the anarchy and wanton slaughter of the spontaneous and desperate uprisings…”
“Brown mentioned to his host that, during his recent visit to Detroit, he had been shocked by a proposal by one of their black friends …. George DeBaptiste, a well-known Underground Railroad operator and the head of Detroit’s Colored Vigilance Committee, had recommended that gunpowder be planted in fifteen prominent southern churches and detonated on a designated Sunday as an example to the south of what lay in store if it refused to free its slaves. Brown rejected such tactics. His goal, he told Smith, was to liberate the slaves without any such vindictive brutality and with as little bloodshed as possible.”

Some of the books I read in my studies of John Brown are attached as screenshots, the list is just what’s still in my phone library and not even including books I had to borrow on a limited basis from academic institutions like A John Brown Reader by Louis Ruchames which I literally had to borrow in short increments to read, later I found out I could’ve borrowed it for 14 days but I checked out this reader a tedious hour at a time until I had read the whole thing. I don’t have a list of first hand sources that had to be verified that way. I spend more time verifying sources than keeping notes on verifying sources. Since I am doing this for myself and not to turn in as an assignment or as part of a formal research paper.

History isn’t a set of unchanging facts, its a perspective and viewpoint. When you study history you find the facts remain the same but as society changes around this history our perspective view points are altered.
This is a complicated and complex issue and there’s no correct take away from this history, just each individual perspectives.
If you view Brown as a hero my perspective doesn’t have to alter your opinion at all and honestly I’m not trying to.
Most of history is covered in propaganda I’m just offering my perspective based on my research.🤷🏾‍♀️

Africans before slavery

Every black history month, students all across the United States read and listen to stories of the most notable African-Americans. Like Harriet Tubman, who worked against slave laws to bring people to freedom, those who became educated despite laws to prevent their education and worked with abolitionists, like Frederick Douglass, who convinced Abraham Lincoln* to allow […]

Africans before slavery

Transatlantic Slave Trade: A Brief Look at Its Origins

My research into the early Transatlantic Slave Trade

Afrofuturist Abolitionists of the Americas

Image may contain: text that says 'The Transatlantic Slave Trade: A Brief Look at Its Origins Anarkata Freedom School Black August Kritical Kickback Series August 20th @ 1pm'
Image Description: In the upper left-hand corner written in white letters on an orange Sun “The Trans-Atlantic Slave Trade: A Brief Look at its Origins”. Next to the Sun is a Moon levitating over a Black hand, the Moon has a “go back and fetch it” (?) bird on it in Black. Below the Sun and Moon written in green is “Anarkata” and below that in white letters on a pink background is “Freedom School”. Below this in pink letters is “Black August Kritical Kickback Series”. The last text at the bottom of the page, in white letters reads “August 20th at 1 p.m”. All text is set against a background of stars in a galaxy.}

This Kickback has a pdf version (here)

The Transatlantic Slave: Trade A Brief Look at its Origins. Anarkata Freedom School by LSCJ

Part I: Beginning on the Iberian Peninsula in the mid…

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The Long Reach of the Orishas: West Africa in the Art and Life of Philadelphia

Africa in the Arts of Philadelphia: Bullock, Searles, and Twins Seven-Seven an exhibition at the Woodmere Museum of Art, Philadelphia until May 17, 2020   https://woodmereartmuseum.org/experience/exhibitions/africa-in-philadelphia-bullock-searles-and-twins-seven-seven       The history of Philadelphia is enmeshed in in the multi-century struggle for African-American emancipation, political autonomy and economic access.       The Mother and Tatooed […]

The Long Reach of the Orishas: West Africa in the Art and Life of Philadelphia

Yoruba Spirituality: Ọba & the Ọba Rivers

Yoruba People The African diaspora, the dispersal of African people During the Trans-Atlantic slave trade, many Africans were sent to the West Indies (Caribbean) from West Africa (Nigeria, Benin). Those descendants live in Cuba, Haiti, Puerto Rico, Trinidad and Tobago, Brazil, Dominica, Saint Lucia, and other parts of Latin America.  The religion of Yoruba people […]

Yoruba Spirituality: Ọba & the Ọba Rivers

Osun Osogbo festival (Osun state, South-Western Nigeria)

A festival is an event ordinarily celebrated by a community and centering on some characteristic aspects of that community and it’s religion or cultures. It is often marked as a local or national holiday. Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanks to the gods and goddesses. Celebrations offer a sense of belonging […]

Osun Osogbo festival (Osun state, South-Western Nigeria)

Once unknown Nigerian ‘masterpiece’ by Ben Enwonwu up for sale

The Court of the Oba of Benin is one of 12 of his works on sale from the auction house’s London base and they all reflect this thinking. A previously unknown work by Ben Enwonwu, Nigeria’s most celebrated 20th Century visual artist, is up for auction in an online sale organized by Sotheby’s. The Court […]

Once unknown Nigerian ‘masterpiece’ by Ben Enwonwu up for sale